Roel Tsemah Touitou
Designing the Constraints. Instrument Design as Art Education in a Long-Term Hybrid Residency



This thesis documents an eleven-month hybrid residency I designed and facilitated between July 2025 and May 2026 under Synthux Academy, the non-profit for electronic instrument design education I founded in 2021. Seven participants across five projects worked with custom hardware — first a fixed shared instrument, then circuit boards of their own design — in a distributed, asynchronous setting coordinated through Discord, Notion and Miro.
The research question is: how does a long-term, hardware-supported, hybrid learning system sustain and develop instrument design competencies in independent practitioners?
The study is practice-based and autoethnographic. I am simultaneously the founder, the hardware designer, and the facilitator. The primary data sources are five participant Notion logs, a set of facilitator session notes, and post-program interviews with the two participants who completed their instruments and presented them at Superbooth 2026 in Berlin.
The central finding is what I call the constraint-to-authorship transition. For the first two phases of the residency, participants designed an instrument on the same fixed hardware: the problem was given. In the third phase, they designed their own circuit boards, deciding which controls existed, where they sat, and what the instrument looked like. That shift — from working within a system someone else designed to authoring the constraints themselves — functioned as both a developmental threshold and a selective mechanism. Two of five projects completed and reached Superbooth. Three did not finish, and all three stalled at or just before this transition.
Thesis:


